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APA: Patteson, T. Instruments for new music : sound, technology, and modernism. AB - "Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. P 7 a MUS 2 bisacsh 4 a Set language NL EN.
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Instruments for New Music: Sound, Technology, and Modernism
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Keyboard Shortcuts Close Available anywhere? Shortcut help message s Highlight search box esc Close dialog. Amid profound historical events technological possibilities were hacked, recordings stopped repeating themselves to perform something new, and the innovative art forms with us today were born. Through meticulous new research on electronic music in Germany during the Weimar Republic, Thomas Patteson recovers the forgotten history of early twentieth century music.
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He provides the most detailed account we have of how electronic music became tainted by the Nazis and how Stockhausen rewrote its history in his Cologne studio. Incredible instruments were developed during this early period—not least the trautonium used by Hitchcock to make the scary sounds of The Birds!
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